In my work I attempt to parse out the relationships between content, context, authorial control, and prescribed form. I am primarily interested in how circumscribing notions of content and intention can reveal dynamics in the structures (contextual, rhetorical, formal) that generate and distribute meaning. My practice often revolves around internal or random processes that seemingly produce their own content, or else let "external" conditions delimit, reconfigure, or even negate any implicit or intended meaning.

Strategies to this end include the use of generative forms, standards and formats as a stand-in for artistic agency, the reassessment of the readymade as aesthetic category, and the use of content, processes, and materials that problematize authorship.