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K8 Hardy
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K8 Hardy
Born 1977, Fort Worth Texas
EDUCATION
2008
M.F.A. Milton Avery Graduate School for the Arts, Bard College, Annandale-on-Hudson, NY
2003
Whitney Museum of American Art Independent Study Program, New York, NY
2000
B.A., Film and Women’s Studies, Smith College, Northampton, MA
1998
Columbia University, New York, NY (undergraduate studies)
PERFORMANCES
2008
Balenciaga for Artists, Ridykeulous Event, Wack! Art and the Feminist
Revolution, PS1, New York, NY
Bobcat for Animal Estates by Fritz Haeg, The Whitney Museum of American Art, New York, NY
2007
New Report Live: Bankside Power Station, The Tate Modern, London, UK (with Wynne Greenwood)
Bare Life, Reena Spaulings Fine Art, New York, NY (curated by Kim Gordon and Jutta Koether)
Bare Life, The Kitchen, New York, NY (curated by Ridykeulous)
2006
New Report, Hayward Gallery with London Lesbian and Gay Film Festival, London, UK
2005
Beautiful Radiating Energy, Casco Projects, Utrecht, The Netherlands
New Report, Reena Spaulings Fine Art, New York (with Wynne Greenwood)
The Dare Series, Foxy Productions, New York (with Wynne Greenwood, curated by Lauren Cornell)
2004
LTTR Explosion, Art in General, New York
Beautiful Radiating Energy, Reena Spaulings Fine Art, New York
Beautiful Radiating Energy Tour, Artists’ Television Access, San Francisco, CA
SELECTED GROUP EXHIBITIONS / SCREENINGS
2008
Passwords Cycle 5, Montehermoso, Vitoria, Spain
COMPANY, Art in General, New York, NY (curated by Fawn Kreiger)
The Way We Rhyme: Women, Art, and Politics, Yerba Buena Center for the Arts, San Francisco, CA (curated by Berin Golonu)
2007
Documenta 12 Magazines, Documenta, Kassel, Germany
Moscow Biennial; Uncertain States of America – American Video Art in the 3rd Milllenium, Moscow, Russia (curated by Daniel Birnbaum, Gunnar B Kvaran, Hans Ulrich Obrist)
Massiv Analog Academy, Galerie Christian Nagel, Cologne, Germany (curated by John Kelsey and Gareth James)
Locally Localized Gravity, Institute of Contemporary Art, Philadelphia, PA
Exile of the Imaginary: Politics/Aesthetics/Love, The Generali Foundatin, Vienna, Austria (curated by Juli Carson)
Shared Women, Los Angeles Contemporary Exhibitions, Los Angeles, CA (curated by Eve Fowler, Emily Roysdon, and A.L. Steiner)
Lyon Biennial, Lyon, France (curated by Stéphanie Moisdon and Hans-Ulrich Obrist)
2006
Media Burn, The Tate Modern, London, UK (curated by Emma Dexter)
The “F” Word, The Warhol Museum, Pittsburgh, PA (curated by Elizabeth Thomas)
Reality / Play, Orchard, New York (curated by Moyra Davey)
Eat the Market, Los Angeles County Museum of Art, Los Angelse, CA (curated by Sam Durant)
Ridykeulous, Participant Inc., New York (curated by Nicole Eisenman and A.L. Steiner)
When Artists Say We, Artists’ Space, New York (curated by Andrea Geyer)
Hot Topic, Center for Curatorial Studies Bard College, Annandale, NY (curated by Amy Mackie)
this talk we have, this talk we have had, this talk we have/have had, David Kordansky Gallery, Los Angeles, CA (curated by Brendan Fowler)
Shelf Life, Troittoir, Hamburg, Germany (curated by Karolin Meunier)
Flex Your Textiles, John Connelly Presents..., New York (curated by Travis Boyer and Ginger Brooks Takahashi)
Flesh Records, Haswellediger & Co. Gallery, New York, NY
2005
Log Cabin, Artists’ Space, New York (curated by Jeffrey Uslip)
Promiscuous Cinema, San Francisco Cinematheque at Yerba Buena Center for the Arts, San Francisco (curated by Maia Cybelle-Carpenter)
Alter Ego, The Kitchen, New York (curated by Henriette Huldisch and Lauren Cornell)
The Muster, Public Art Fund, New York (curated by Allison Smith)
LTMIXTR, Mix Experimental Gay and Lesbian Film and Video Festival, New York
What is Human?, Transmodern Age Festival of Experimental Performance, Baltiore, MD
Wear Me Out, ONE National Gay and Lesbian Archives, Los Angeles, CA (curated by Tania Hammidi)
2004
Published and Be Damned, Cubitt Gallery, London, UK (curated by Emily Pethick, traveled: Casco Projects, Utrecht)
Gay Power is Back and I am Feeling it!, New Image Art, Los Angeles (curated by Darin Klein and Emily Roysdon)
Experimental Media for Feminist Trespass, Pilot Television, Chicago, IL
Basic Needs, Ms. Film Festival, Durham, NC (curated by Cathy de la Cruz)
RESIDENCIES
2006 Wexner Center for the Arts, Art and Technology, Columbus, OH
Visiting Scholar, New York University, Tisch School of the Arts
2005 Printed Matter Inc., New York (LTTR)
Grizedale Center for the Arts / Wordsworth Trust, Grasmere, UK
Art in General, New York (member of The Generals advisory panel)
2004 Center for Advanced Visual Studies, M.I.T., Cambridge, MA
2002 Wexner Center for the Arts, Columbus, OH
PUBLIC PRESENTATIONS
2007
Lecturer, “Conversations with Contemporary Artitst: Reena Spaulings,” Guggenheim Museum, New York, NY
Panelist, “Collecting & Collectivity,” SMU Meadows School of the Arts, Dallas, Tx
Panelist, “Womanhouse,” College Arts Association, New York, NY
Presentation, LTTR, Galerie Artmosphere, Vienna, Austria
2006
Panelist, “On Feminist Publishing Today,” Editions and Artists’ Books Fair, New York
Lecturer, “Where Art and Life Collide,” New York University, New York
Lecturer, “Green Tea and Rice Crackers: Ulrike Mueller in conversation with K8 Hardy,” Cooper Union, New York
2005
Visiting Artist, School of Visual Arts, New York (invited by A.L. Steiner)
Panelist, “Women in Independent Publishing,” Casco Projects, Utrecht
2004
Lecturer, “InterseXions: Queer Visual Culture at the Crossroads,” City University of New York, Center for Gay and Lesbian Studies, New York (invited by Susan Aberth)
Lecturer, “Out of Silence: A Tribute to David Wojnarowicz,” P.P.O.W., New York (organized by Matt Wolf)
Lecturer, “LTTR: Motivational Strategies,” Homo-a-Gogo, Olympia
2003
Lecturer, Sixteen Beaver Group, New York
ARTIST PUBLICATIONS / BIBLIOGRAPHY
Fashionfashion Meta, Issue 1 (2007)
North Drive Press, “K8 Hardy and Ulrike Mueller” Issue 3 (New York: Matt Keegan and Sara Greenberger Rafferty, 2006)
Ridykeulous, Issue 1, p.7 (New York: Nicole Eisenman and A.L. Steiner, 2006)
Fashionfashion, Issues 1-4 (2004-present)
LTTR: Do you wish to direct me?, editor (New York: Printed Matter, 2005)
Arts & Leisure, co-editor (New York: Art in General, 2005)
LTTR: Practice more failure, editor (Brooklyn: LTTR collective, 2004)
LTTR: Listen Translate Translate Record, editor (Brooklyn: LTTR collective, 2003)
LTTR: Lesbians to the Rescue, editor (Brooklyn: LTTR collective, 2002)
REVIEWS / PRESS
White, Michelle. “Opposition + Equivocation: K8 Hardy in conversation with Michelle White”
Art Papers, May/June 2008, pp 18 – 23
Spooner, Casey. “More than a Woman: an Interview with K8 Hardy”
Nuke (France) Spring 08, pp 62-65
Wang, Michael. “Streaming Creatures: A New Generation of Queer Video Art”
Modern Painters, June 2007, pp 100 -105
Dickson, Amy. “A New Team Under an Old Threat: Fictional Selves and Feminist Practice in the Collaborative Work of Wynne Greenwood and K8 Hardy”
Art Lies, No. 56 Winter 2007, pp 64-65
Molesworth, Helen. “World’s Apart”
Artforum, May 2997, pp 101-102
Cotter, Holland, “Collective Creation, in Philadelphia and Beyond”
New York Times, March 21, 2007, pE5
http://www.nytimes.com/2007/03/21/arts/design/21grav.html?ex=1187841600&en=dd251fa2c80de2d5&ei=5070
Brooks, Amra. “Must See Art”
LA Weekly, July 2006
Bryan-Wilson, Julia. “Repetition and Difference; On LTTR”
Artforum, June 2006, Vol. XLIV, No. 10
Fowler, Brendan. “Top 10”
Artforum, March 2006, Vol. XLIV, No. 7, p114
Rimanelli, David. “On the Ground, New York”
Artforum, December 2005, Vol. XLIV, No.4, pp 220 - 223
Armetta, Amoreen. “Setting A Pace: Andrea Geyer and LTTR”
NYFA Current, Aug. 24, 2005, Vol. 14, No. 16 (online)
http://www.nyfa.org/level3.asp?id=399&fid=6&sid=17
Weiner, Emily. “Recommended Reading”
Time Out New York, August 18-24, 2005, Issue 416, p 64
Hastreiter, Kim. “Agitate: Introducing Some of Our Favorite Female Troublemakers” Paper Magazine, Sept. 2005, Vol. 22, No. 2, pp 105- 107
http://www.papermag.com/?section=article&parid=755
Burton, Johanna. “Girl, Interrupted”
Artforum, Summer 2005, Vol. XLIII, No. 10 pp. 107,110
Cotter, Holland. “Art in Review: Wynne Greenwood and K8 Hardy”
New York Times, May 20, 2005, p E32
http://query.nytimes.com/gst/fullpage.html?res=9500E5DA1439F933A15756C0A9639C8B63
Ventur, Conrad. “K8 Hardy, Artist”
Useless, Winter/Spring 2005, Vol.1, No.1, pp 24-25
Cotter, Holland. “The Missed Opportunities”
New York Times, Dec.26, 2004, Section 2, p 44
http://select.nytimes.com/gst/abstract.html?res=F60710F738540C758EDDAB0994DC404482
Kelsey, John. “On the ground, New York”
Artforum, December 2004, pp 55-56, 65
Cotter, Holland. “Explosion LTTR”
New York Times, August 6, 2004, p E35
http://query.nytimes.com/gst/fullpage.html?res=990CEFD9123CF935A3575BC0A9629C8B63
Born 1977, Fort Worth Texas
EDUCATION
2008
M.F.A. Milton Avery Graduate School for the Arts, Bard College, Annandale-on-Hudson, NY
2003
Whitney Museum of American Art Independent Study Program, New York, NY
2000
B.A., Film and Women’s Studies, Smith College, Northampton, MA
1998
Columbia University, New York, NY (undergraduate studies)
PERFORMANCES
2008
Balenciaga for Artists, Ridykeulous Event, Wack! Art and the Feminist
Revolution, PS1, New York, NY
Bobcat for Animal Estates by Fritz Haeg, The Whitney Museum of American Art, New York, NY
2007
New Report Live: Bankside Power Station, The Tate Modern, London, UK (with Wynne Greenwood)
Bare Life, Reena Spaulings Fine Art, New York, NY (curated by Kim Gordon and Jutta Koether)
Bare Life, The Kitchen, New York, NY (curated by Ridykeulous)
2006
New Report, Hayward Gallery with London Lesbian and Gay Film Festival, London, UK
2005
Beautiful Radiating Energy, Casco Projects, Utrecht, The Netherlands
New Report, Reena Spaulings Fine Art, New York (with Wynne Greenwood)
The Dare Series, Foxy Productions, New York (with Wynne Greenwood, curated by Lauren Cornell)
2004
LTTR Explosion, Art in General, New York
Beautiful Radiating Energy, Reena Spaulings Fine Art, New York
Beautiful Radiating Energy Tour, Artists’ Television Access, San Francisco, CA
SELECTED GROUP EXHIBITIONS / SCREENINGS
2008
Passwords Cycle 5, Montehermoso, Vitoria, Spain
COMPANY, Art in General, New York, NY (curated by Fawn Kreiger)
The Way We Rhyme: Women, Art, and Politics, Yerba Buena Center for the Arts, San Francisco, CA (curated by Berin Golonu)
2007
Documenta 12 Magazines, Documenta, Kassel, Germany
Moscow Biennial; Uncertain States of America – American Video Art in the 3rd Milllenium, Moscow, Russia (curated by Daniel Birnbaum, Gunnar B Kvaran, Hans Ulrich Obrist)
Massiv Analog Academy, Galerie Christian Nagel, Cologne, Germany (curated by John Kelsey and Gareth James)
Locally Localized Gravity, Institute of Contemporary Art, Philadelphia, PA
Exile of the Imaginary: Politics/Aesthetics/Love, The Generali Foundatin, Vienna, Austria (curated by Juli Carson)
Shared Women, Los Angeles Contemporary Exhibitions, Los Angeles, CA (curated by Eve Fowler, Emily Roysdon, and A.L. Steiner)
Lyon Biennial, Lyon, France (curated by Stéphanie Moisdon and Hans-Ulrich Obrist)
2006
Media Burn, The Tate Modern, London, UK (curated by Emma Dexter)
The “F” Word, The Warhol Museum, Pittsburgh, PA (curated by Elizabeth Thomas)
Reality / Play, Orchard, New York (curated by Moyra Davey)
Eat the Market, Los Angeles County Museum of Art, Los Angelse, CA (curated by Sam Durant)
Ridykeulous, Participant Inc., New York (curated by Nicole Eisenman and A.L. Steiner)
When Artists Say We, Artists’ Space, New York (curated by Andrea Geyer)
Hot Topic, Center for Curatorial Studies Bard College, Annandale, NY (curated by Amy Mackie)
this talk we have, this talk we have had, this talk we have/have had, David Kordansky Gallery, Los Angeles, CA (curated by Brendan Fowler)
Shelf Life, Troittoir, Hamburg, Germany (curated by Karolin Meunier)
Flex Your Textiles, John Connelly Presents..., New York (curated by Travis Boyer and Ginger Brooks Takahashi)
Flesh Records, Haswellediger & Co. Gallery, New York, NY
2005
Log Cabin, Artists’ Space, New York (curated by Jeffrey Uslip)
Promiscuous Cinema, San Francisco Cinematheque at Yerba Buena Center for the Arts, San Francisco (curated by Maia Cybelle-Carpenter)
Alter Ego, The Kitchen, New York (curated by Henriette Huldisch and Lauren Cornell)
The Muster, Public Art Fund, New York (curated by Allison Smith)
LTMIXTR, Mix Experimental Gay and Lesbian Film and Video Festival, New York
What is Human?, Transmodern Age Festival of Experimental Performance, Baltiore, MD
Wear Me Out, ONE National Gay and Lesbian Archives, Los Angeles, CA (curated by Tania Hammidi)
2004
Published and Be Damned, Cubitt Gallery, London, UK (curated by Emily Pethick, traveled: Casco Projects, Utrecht)
Gay Power is Back and I am Feeling it!, New Image Art, Los Angeles (curated by Darin Klein and Emily Roysdon)
Experimental Media for Feminist Trespass, Pilot Television, Chicago, IL
Basic Needs, Ms. Film Festival, Durham, NC (curated by Cathy de la Cruz)
RESIDENCIES
2006 Wexner Center for the Arts, Art and Technology, Columbus, OH
Visiting Scholar, New York University, Tisch School of the Arts
2005 Printed Matter Inc., New York (LTTR)
Grizedale Center for the Arts / Wordsworth Trust, Grasmere, UK
Art in General, New York (member of The Generals advisory panel)
2004 Center for Advanced Visual Studies, M.I.T., Cambridge, MA
2002 Wexner Center for the Arts, Columbus, OH
PUBLIC PRESENTATIONS
2007
Lecturer, “Conversations with Contemporary Artitst: Reena Spaulings,” Guggenheim Museum, New York, NY
Panelist, “Collecting & Collectivity,” SMU Meadows School of the Arts, Dallas, Tx
Panelist, “Womanhouse,” College Arts Association, New York, NY
Presentation, LTTR, Galerie Artmosphere, Vienna, Austria
2006
Panelist, “On Feminist Publishing Today,” Editions and Artists’ Books Fair, New York
Lecturer, “Where Art and Life Collide,” New York University, New York
Lecturer, “Green Tea and Rice Crackers: Ulrike Mueller in conversation with K8 Hardy,” Cooper Union, New York
2005
Visiting Artist, School of Visual Arts, New York (invited by A.L. Steiner)
Panelist, “Women in Independent Publishing,” Casco Projects, Utrecht
2004
Lecturer, “InterseXions: Queer Visual Culture at the Crossroads,” City University of New York, Center for Gay and Lesbian Studies, New York (invited by Susan Aberth)
Lecturer, “Out of Silence: A Tribute to David Wojnarowicz,” P.P.O.W., New York (organized by Matt Wolf)
Lecturer, “LTTR: Motivational Strategies,” Homo-a-Gogo, Olympia
2003
Lecturer, Sixteen Beaver Group, New York
ARTIST PUBLICATIONS / BIBLIOGRAPHY
Fashionfashion Meta, Issue 1 (2007)
North Drive Press, “K8 Hardy and Ulrike Mueller” Issue 3 (New York: Matt Keegan and Sara Greenberger Rafferty, 2006)
Ridykeulous, Issue 1, p.7 (New York: Nicole Eisenman and A.L. Steiner, 2006)
Fashionfashion, Issues 1-4 (2004-present)
LTTR: Do you wish to direct me?, editor (New York: Printed Matter, 2005)
Arts & Leisure, co-editor (New York: Art in General, 2005)
LTTR: Practice more failure, editor (Brooklyn: LTTR collective, 2004)
LTTR: Listen Translate Translate Record, editor (Brooklyn: LTTR collective, 2003)
LTTR: Lesbians to the Rescue, editor (Brooklyn: LTTR collective, 2002)
REVIEWS / PRESS
White, Michelle. “Opposition + Equivocation: K8 Hardy in conversation with Michelle White”
Art Papers, May/June 2008, pp 18 – 23
Spooner, Casey. “More than a Woman: an Interview with K8 Hardy”
Nuke (France) Spring 08, pp 62-65
Wang, Michael. “Streaming Creatures: A New Generation of Queer Video Art”
Modern Painters, June 2007, pp 100 -105
Dickson, Amy. “A New Team Under an Old Threat: Fictional Selves and Feminist Practice in the Collaborative Work of Wynne Greenwood and K8 Hardy”
Art Lies, No. 56 Winter 2007, pp 64-65
Molesworth, Helen. “World’s Apart”
Artforum, May 2997, pp 101-102
Cotter, Holland, “Collective Creation, in Philadelphia and Beyond”
New York Times, March 21, 2007, pE5
http://www.nytimes.com/2007/03/21/arts/design/21grav.html?ex=1187841600&en=dd251fa2c80de2d5&ei=5070
Brooks, Amra. “Must See Art”
LA Weekly, July 2006
Bryan-Wilson, Julia. “Repetition and Difference; On LTTR”
Artforum, June 2006, Vol. XLIV, No. 10
Fowler, Brendan. “Top 10”
Artforum, March 2006, Vol. XLIV, No. 7, p114
Rimanelli, David. “On the Ground, New York”
Artforum, December 2005, Vol. XLIV, No.4, pp 220 - 223
Armetta, Amoreen. “Setting A Pace: Andrea Geyer and LTTR”
NYFA Current, Aug. 24, 2005, Vol. 14, No. 16 (online)
http://www.nyfa.org/level3.asp?id=399&fid=6&sid=17
Weiner, Emily. “Recommended Reading”
Time Out New York, August 18-24, 2005, Issue 416, p 64
Hastreiter, Kim. “Agitate: Introducing Some of Our Favorite Female Troublemakers” Paper Magazine, Sept. 2005, Vol. 22, No. 2, pp 105- 107
http://www.papermag.com/?section=article&parid=755
Burton, Johanna. “Girl, Interrupted”
Artforum, Summer 2005, Vol. XLIII, No. 10 pp. 107,110
Cotter, Holland. “Art in Review: Wynne Greenwood and K8 Hardy”
New York Times, May 20, 2005, p E32
http://query.nytimes.com/gst/fullpage.html?res=9500E5DA1439F933A15756C0A9639C8B63
Ventur, Conrad. “K8 Hardy, Artist”
Useless, Winter/Spring 2005, Vol.1, No.1, pp 24-25
Cotter, Holland. “The Missed Opportunities”
New York Times, Dec.26, 2004, Section 2, p 44
http://select.nytimes.com/gst/abstract.html?res=F60710F738540C758EDDAB0994DC404482
Kelsey, John. “On the ground, New York”
Artforum, December 2004, pp 55-56, 65
Cotter, Holland. “Explosion LTTR”
New York Times, August 6, 2004, p E35
http://query.nytimes.com/gst/fullpage.html?res=990CEFD9123CF935A3575BC0A9629C8B63