John Bentham Work | Artist Statement & CV | Return to Artist List
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Artist Statement
My interest is subcultures. People fascinate me. I am simultaneously drawn to and mystified by them. I like the behind the scenes worlds that photography opens up and that is what I explore in my work. The glimpse into another culture or subculture is what attracts me, but at the same time it can often be disconcerting. The worlds that I investigate in my work are often outside the mainstream, divergent realities and private realms that I spend time getting to know from the outside in. Over time, sometimes years, I become familiar and friendly with my subjects, thus allowed further access revealing new levels of intimacy and at times absurdity.
Bodies of Work
Photographs of Nothing (Working Title)
My most recent series of photographs is my interpretation through photographs of everyday scenes, objects or events that usually remain unnoticed. I capture details or glimpses of people or seemingly random urban tableaux through my images. By drawing attention to these lost moments or tertiary spaces, I strive to expose the poignancy and raw beauty of the everyday world we live in. Born in Canada, and living in New York I am often considered a second cousin to Americans. I have a somewhat distant, off-kilter perspective of American culture and Americans. Considered not quite American nor foreign enough to count as a unique culture, I am simultaneously present and removed from my position in society. Being an outsider, I seem to have developed an ability to not exist within the confines of American life. Until recently I believed this state was a temporary mindset as a result of having moved to New York, and yet 18 years later it persists. On more than one occasion people have commented on my unobtrusive presence while shooting photographs. Many in fact have expressed surprise that I was present enough to capture certain photographs—being unaware I was standing next to them when the photograph was taken. Clearly I have no invisibility cloak and yet this removed persona, method or ability remains as a presence even when I am not.
Burlesque Dancers
An ongoing documentary project focuses on Burlesque Dancers. Photographed in various clubs and underground venues in New York City, I shoot both the back stage activities and the public performance presentation. These dancers have a deep respect for the traditions of burlesque and that kind of nostalgia is reflected in their costumes and performances in general. Over the months that I have been investigating this world, I have come to appreciate the meld of beauty and raunch, artifice and grace.
Drag Queen Series
I was approached by the documentary photography magazine Proof to shoot the behind-the-scenes world of drag queens. I was already familiar with aspects of this scene from shooting private underground parties, so some of these people were known to me. What appealed to me was the opportunity to explore the hidden world of drag queens, the hours of make-up, the back stage relationships and the elaborate transformations into stage personas.
The general perception that drag queens are full of joy did not coincide with the reality of my subjects. There is not a lot of joy backstage, and on-stage the performance is catty and caustic. I’m more interested in the reality of my subjects, not the facile public side so that is what emerged in the photographs. The photographs are somewhat raw, colorful to the point of being garish and yet beautiful in an alternate universe way.
The Drag Queen series was recently included in the Juried 4th Annual Video Verite Festival at Lincoln Center and previously exhibited at PS122 Gallery in April 2008.
Conclusion
There is a long-standing tradition among documentary photographers to not interfere with their subjects, only to record what is there or what is happening. That is often incorrect or naïve. You interfere simply by pointing your camera at someone or something. People react to a camera, and you make the decision where to point the camera. Whether you acknowledge it or not the process of photography is interpretive, or at least it should be. As a photographer you interpret the truth based on what you as an individual see. If you’re a good photographer you see things differently than everyone else, that’s your job.
My interest is subcultures. People fascinate me. I am simultaneously drawn to and mystified by them. I like the behind the scenes worlds that photography opens up and that is what I explore in my work. The glimpse into another culture or subculture is what attracts me, but at the same time it can often be disconcerting. The worlds that I investigate in my work are often outside the mainstream, divergent realities and private realms that I spend time getting to know from the outside in. Over time, sometimes years, I become familiar and friendly with my subjects, thus allowed further access revealing new levels of intimacy and at times absurdity.
Bodies of Work
Photographs of Nothing (Working Title)
My most recent series of photographs is my interpretation through photographs of everyday scenes, objects or events that usually remain unnoticed. I capture details or glimpses of people or seemingly random urban tableaux through my images. By drawing attention to these lost moments or tertiary spaces, I strive to expose the poignancy and raw beauty of the everyday world we live in. Born in Canada, and living in New York I am often considered a second cousin to Americans. I have a somewhat distant, off-kilter perspective of American culture and Americans. Considered not quite American nor foreign enough to count as a unique culture, I am simultaneously present and removed from my position in society. Being an outsider, I seem to have developed an ability to not exist within the confines of American life. Until recently I believed this state was a temporary mindset as a result of having moved to New York, and yet 18 years later it persists. On more than one occasion people have commented on my unobtrusive presence while shooting photographs. Many in fact have expressed surprise that I was present enough to capture certain photographs—being unaware I was standing next to them when the photograph was taken. Clearly I have no invisibility cloak and yet this removed persona, method or ability remains as a presence even when I am not.
Burlesque Dancers
An ongoing documentary project focuses on Burlesque Dancers. Photographed in various clubs and underground venues in New York City, I shoot both the back stage activities and the public performance presentation. These dancers have a deep respect for the traditions of burlesque and that kind of nostalgia is reflected in their costumes and performances in general. Over the months that I have been investigating this world, I have come to appreciate the meld of beauty and raunch, artifice and grace.
Drag Queen Series
I was approached by the documentary photography magazine Proof to shoot the behind-the-scenes world of drag queens. I was already familiar with aspects of this scene from shooting private underground parties, so some of these people were known to me. What appealed to me was the opportunity to explore the hidden world of drag queens, the hours of make-up, the back stage relationships and the elaborate transformations into stage personas.
The general perception that drag queens are full of joy did not coincide with the reality of my subjects. There is not a lot of joy backstage, and on-stage the performance is catty and caustic. I’m more interested in the reality of my subjects, not the facile public side so that is what emerged in the photographs. The photographs are somewhat raw, colorful to the point of being garish and yet beautiful in an alternate universe way.
The Drag Queen series was recently included in the Juried 4th Annual Video Verite Festival at Lincoln Center and previously exhibited at PS122 Gallery in April 2008.
Conclusion
There is a long-standing tradition among documentary photographers to not interfere with their subjects, only to record what is there or what is happening. That is often incorrect or naïve. You interfere simply by pointing your camera at someone or something. People react to a camera, and you make the decision where to point the camera. Whether you acknowledge it or not the process of photography is interpretive, or at least it should be. As a photographer you interpret the truth based on what you as an individual see. If you’re a good photographer you see things differently than everyone else, that’s your job.
CV
John Bentham is an award-winning photographer specializing in documentary and portraiture. His images have been widely reproduced in periodicals and books. John Bentham was recently awarded one of only twelve juried and coveted slots in the Magnum Photos portfolio review. He was named A Photographer to Watch, by Kodak and has garnered additional accolades from Nikon, Photo District News, The New York Times and The Maine Media Workshops. His work has been exhibited in New York, Los Angeles, San Francisco, Toronto, Paris, Tokyo and Prague, and his photographs are represented in several private and institutional collections. John is interested in sub-cultures and his work reflects this fascination. He has photographed Biker Rallies, Burlesque dancers, Native American Powwows and underground NYC clubs. Johns first monograph, OneLegUpNYC, was published in 2007.
John Bentham also hosts a monthly photography webinar series on LivinginHD.com, the lifestyle site from Panasonic. Topics range from B&W Photography, to shooting in Tricky Lighting conditions. In his spare time John teaches advanced photography workshops for The Digital Photo Academy, and at Lehman College in The Bronx. See more of Johns work at www.johnbentham.com
Solo Exhibitions:
Duvet Lounge, Photographs of Morocco, Two-person show, New York City, 2009.
PS122 Gallery, Two-person show, New York City, 2008.
Galapagos Art Space, Brooklyn, New York City, 2004.
The Ohio Theater Gallery, New York City, 1995.
Group Exhibitions:
PS 122 Gallery: Last Call, Upcoming - 2010.
The Centro Fotografico Alvarez Bravo, Oaxaca, Mexico.
Curated by Mary Ellen Mark, Upcoming - 2010.
The 4th Annual Drag Show Video Verite, Lincoln Center, New York City, 2010.
25th Anniversary Salon, Lehman College Art Gallery, Bronx, NY, 2010.
Leave Out Violence, Exhibition Benefit, New York, NY, 2010.
Galerie 13 Sévigné, Paris, France, 2008.
Art Gotham, New York City, 2008.
T.O.A.S.T., TriBeCa Open Artists Studio Tour, New York City, 2008.
Franklin Station Café, New York City, 2008.
New York Law School, New York City, 2008.
Toast to TOAST, Synagogue for the Arts Gallery, New York City,, 2008.
The Culture Center, New York City, 2008.
PS122 Gallery, Benefit Exhibition, New York City, 2007.
PDN PhotoPlus Expo, World in Focus Exhibition, New York City, 2007.
ADC Photography Invitational Review, New York City, 2007.
Leave Out Violence, Exhibition Benefit, New York City, 2007.
Toast to TOAST, Synagogue for the Arts Gallery, 2007.
T.O.A.S.T. - TriBeCa Open Artists Studio Tour, 2007.
TriBeCa Organization, The TriBeCa Film Festival, MI-5, 2007.
Franklin Station Café, New York City, 2007.
New York Law School, New York City, 2007.
Leave Out Violence, Exhibition Benefit, New York City, 2006.
Traveling Light, Photographic Images of Travel, Elmhurst Hospital Center, Queens, NY, 2005.
Photowork’04, Barrett Art Center, Competition juried by Jennifer Blessing of The Guggenheim Museum, 2004.
Kodak Photography, The Duggal Lab, New York City, 2004.
SOHO Photo Gallery, Competition Juried by Janet Borden, New York City, 2004.
Contact/ARVD, Exhibition Benefit, New York City, 2003.
Design Trust for Public Spaces, Exhibition Benefit, New York City, 2003.
Bertha and Karl Leubsdorf Gallery, Hunter College, New York City, 2002.
Mohonk Preserve, Exhibition and Benefit, New Paltz, NY, 2002.
Design Trust for Public Spaces, Exhibition Benefit, New York City, 2002.
Mohonk Preserve, Exhibition and Benefit, New Paltz, NY, 2001.
Viscomm ‘96, Jacob Javits Center, New York City, 1996.
Viscomm ‘96, San Francisco, CA, 1996.
The Art Gallery of Ontario, Toronto, Canada, 1995.
Fotoforum, Prague, Czech Republic, 1992.
Nikon House, Nikon Photo Contest International, Tokyo, Japan, 1991.
Nikon House, Nikon Photo Contest International, New York City, 1991.
Center for Art and Design, Toronto, Canada, 1990.
Ryerson Photography Gallery, Toronto, Canada, 1986.
Ryerson Photography Gallery, Toronto, Canada, 1985.
University of Western Ontario, Photography Exhibition, London, Canada, 1979.
Education:
1997, Mary Ellen Mark Workshop, Scholarship, The Maine Workshops, Oaxaca, Mexico.
1984-1986, Ryerson University, Toronto, Canada, Post Graduate Studies, Photographic Arts.
1981-1982, York University, Toronto, Canada, Post Graduate Studies, Fine Arts, Photography and Printmaking.
1978-1981, University of Western Ontario, London, Canada, Honors Bachelor of Fine Arts, Photography and Printmaking.
Awards/Honors:
Magnum Photos portfolio review. Awarded one of twelve coveted spots, 2009.
Finalist Nominee for The Rema Hort Mann Foundation Grant, 2009.
White Columns Artist Registry, 2009.
Finalist Nominee for The Rema Hort Mann Foundation Grant, 2008.
Px3 Photo Competition, Prix de la Photographie, Paris, 2008.
Photowork’04, Barrett Art Center Photography Competition, 2nd Place, 2004.
Folio Magazine Ozzie Awards, Best BW Feature, Gold, 2003.
Kodak ProPass, A Photographer to Watch, 2003.
Photo District News, Best Web Site, Photography Annual 2003.
RX Club Awards, Award of Excellence, VFEND Launch Kit, 2002.
RX Club Awards, Award of Excellence, VFEND Survival Ad, 2002.
RX Club Awards, Award of Excellence, VFEND Doctors Ad, 2002.
MacroMedia Site of the Day, Audi Website, 2001.
International ARC Awards, Gold Award, 1999.
International ARC Awards, Bronze Award, 1999.
Maine Photographic Workshops, Golden Light Awards, 1996.
Creativity ‘95 Awards, 1995.
Studio Magazine Award, 1994.
Art Directors Club Award, 1992.
Kenneth R. Wilson Memorial Award, Gold, 1991.
Nikon Photo Contest International, 1991.
Studio Magazine Award, Silver Award, 1989.
Art Directors Club Award, 1988.
Photography Award, Ryerson University, 1986.
Publications:
The Catalog for Giving, 5th Edition, 2009.
OneLegUpNYC, STF Ediciones / Imagen, 2007.
Mark Morris Dance Group, Celebrating 25 Years, 2005.
The Catalog for Giving, 4th Edition, 2005.
Kodak Professional, ProPass Magazine, A Photographer To Watch, 2003.
Black Book Photography, 2002.
The Catalog for Giving, 3rd Edition, 2001.
The Alternative Pick, 10th Edition, 2001.
Fifty Women Turn Fifty, Meredith Publications, 2001.
Best of the Best, Food and Wine Collection, 2001.
The Alternative Pick, 9th Edition, 2000.
Savoring the Spice Coast of India, HarperCollins, 2000.
The Catalog for Giving, 2nd Edition, 1999.
The Alternative Pick, 8th Edition, 1999.
Alternate View Magazine, Profile on John Bentham, 1997.
PhotoLife Magazine Article, Focus On John Bentham, Jan. Feb. Issue 1991.
The Kawamata Project, Mercer Union, Toronto, Canada, Documentary Photographs of the installation, Toronto, 1989.
Private Collections: Work is represented in numerous private and corporate collections (Select list):
Barrett Art Center, Poughkeepsie, NY.
Alvarez Bravo Photographic Center, Oaxaca, Mexico.
The Kinsey Institute for Research in Sex, Gender and Reproduction.
Danielle and Jeremy Galland, New York City.
Philip Glass, Composer, New York City.
Amy Gross, Editor, The Oprah Magazine, New York City.
Janet Hanson, 85 Broads, New York City.
Lori Hawkins, Eastman Kodak Company, New York City.
Gregory Hazelden, Savannah, GA.
Nancy Jeffries, M+ Management, New York City.
Yun-Fei Ji, Artist, New York City.
Jay Leno, Television Personality, Los Angeles, CA.
Estate of Frank McCourt, Author, New York City.
Joe Miller, Bank of America, New York City.
Dr. Karim Nader, Montreal, Canada.
Richard Rabinowitz, Rainmaker Marketing, New York City.
Justine Stamen, Founder, The Teak Fellowship, New York City.
Susan Swan, Author, Toronto, Canada.
Uma Thurman, Actor, New York City.
Tibet House, New York City.
Margo Timmins, The Cowboy Junkies, Toronto, Canada.
Employment and Teaching Experience:
2010 Lehman College, Photography Adjunct Professor.
2009 Leave Out Violence, Photography Program, Guest Lecturer. Teaching photojournalism to high school students.
2009 Guest Lecturer, Cold Spring Harbor School District, Cultural Arts Program.
2009 Host of monthly photography webinar series on LivinginHD.com.
2009 Lehman College, Photography Adjunct Professor.
2009 Panasonic Digital Photo Academy, Photography Workshop Instructor, Nationwide teaching network of professional photographers.
2008 Panasonic Digital Photo Academy, Photography Workshop Instructor, Nationwide teaching network of professional photographers.
2008 Leave Out Violence, Photography Program, Guest Lecturer. Teaching photojournalism to high school students.
2008 Lehman College, Photography Adjunct Professor.
2008 Lehman College, Guest Lecturer, Artist Studio Program.
2008 Leave Out Violence, Photography Program, Guest Lecturer, Teaching photojournalism to high school students.
2007 Panasonic Digital Photo Academy, Photography Workshop Instructor, Nationwide teaching network of professional photographers.
2007 Leave Out Violence, Photography Program, Guest Lecturer, Teaching photojournalism to high school students.
2007 Drew University, New York Seminar On Contemporary Art, Guest Lecturer.
2006 Leave Out Violence, Photography Program, Guest Lecturer, Teaching photojournalism to high school students.
2005 Leave Out Violence, Photography Program, Guest Lecturer, Teaching photojournalism to high school students.
1999 to Present, Urban Mozaik Magazine, Staff Photographer.
2003 Home of the Free, Washington Mutual Mentor, Teaching photojournalism to 7-8th grade with Eddie Adams and David Hume Kennerly.
2001 Junior League of New York, Teaching photography to High School Students.
1990 to Present, Freelance Photographer for numerous clients/publications.
1986 to 1989, Freelance photographic assistant to numerous photographers.
1985 Baycrest Hospital, AV Technician, AV Department, Toronto, Canada.
1981 to 1982, Printmaking Studio, Technical Assistant, York University, Fine Arts Department, Toronto, Canada.
John Bentham is an award-winning photographer specializing in documentary and portraiture. His images have been widely reproduced in periodicals and books. John Bentham was recently awarded one of only twelve juried and coveted slots in the Magnum Photos portfolio review. He was named A Photographer to Watch, by Kodak and has garnered additional accolades from Nikon, Photo District News, The New York Times and The Maine Media Workshops. His work has been exhibited in New York, Los Angeles, San Francisco, Toronto, Paris, Tokyo and Prague, and his photographs are represented in several private and institutional collections. John is interested in sub-cultures and his work reflects this fascination. He has photographed Biker Rallies, Burlesque dancers, Native American Powwows and underground NYC clubs. Johns first monograph, OneLegUpNYC, was published in 2007.
John Bentham also hosts a monthly photography webinar series on LivinginHD.com, the lifestyle site from Panasonic. Topics range from B&W Photography, to shooting in Tricky Lighting conditions. In his spare time John teaches advanced photography workshops for The Digital Photo Academy, and at Lehman College in The Bronx. See more of Johns work at www.johnbentham.com
Solo Exhibitions:
Duvet Lounge, Photographs of Morocco, Two-person show, New York City, 2009.
PS122 Gallery, Two-person show, New York City, 2008.
Galapagos Art Space, Brooklyn, New York City, 2004.
The Ohio Theater Gallery, New York City, 1995.
Group Exhibitions:
PS 122 Gallery: Last Call, Upcoming - 2010.
The Centro Fotografico Alvarez Bravo, Oaxaca, Mexico.
Curated by Mary Ellen Mark, Upcoming - 2010.
The 4th Annual Drag Show Video Verite, Lincoln Center, New York City, 2010.
25th Anniversary Salon, Lehman College Art Gallery, Bronx, NY, 2010.
Leave Out Violence, Exhibition Benefit, New York, NY, 2010.
Galerie 13 Sévigné, Paris, France, 2008.
Art Gotham, New York City, 2008.
T.O.A.S.T., TriBeCa Open Artists Studio Tour, New York City, 2008.
Franklin Station Café, New York City, 2008.
New York Law School, New York City, 2008.
Toast to TOAST, Synagogue for the Arts Gallery, New York City,, 2008.
The Culture Center, New York City, 2008.
PS122 Gallery, Benefit Exhibition, New York City, 2007.
PDN PhotoPlus Expo, World in Focus Exhibition, New York City, 2007.
ADC Photography Invitational Review, New York City, 2007.
Leave Out Violence, Exhibition Benefit, New York City, 2007.
Toast to TOAST, Synagogue for the Arts Gallery, 2007.
T.O.A.S.T. - TriBeCa Open Artists Studio Tour, 2007.
TriBeCa Organization, The TriBeCa Film Festival, MI-5, 2007.
Franklin Station Café, New York City, 2007.
New York Law School, New York City, 2007.
Leave Out Violence, Exhibition Benefit, New York City, 2006.
Traveling Light, Photographic Images of Travel, Elmhurst Hospital Center, Queens, NY, 2005.
Photowork’04, Barrett Art Center, Competition juried by Jennifer Blessing of The Guggenheim Museum, 2004.
Kodak Photography, The Duggal Lab, New York City, 2004.
SOHO Photo Gallery, Competition Juried by Janet Borden, New York City, 2004.
Contact/ARVD, Exhibition Benefit, New York City, 2003.
Design Trust for Public Spaces, Exhibition Benefit, New York City, 2003.
Bertha and Karl Leubsdorf Gallery, Hunter College, New York City, 2002.
Mohonk Preserve, Exhibition and Benefit, New Paltz, NY, 2002.
Design Trust for Public Spaces, Exhibition Benefit, New York City, 2002.
Mohonk Preserve, Exhibition and Benefit, New Paltz, NY, 2001.
Viscomm ‘96, Jacob Javits Center, New York City, 1996.
Viscomm ‘96, San Francisco, CA, 1996.
The Art Gallery of Ontario, Toronto, Canada, 1995.
Fotoforum, Prague, Czech Republic, 1992.
Nikon House, Nikon Photo Contest International, Tokyo, Japan, 1991.
Nikon House, Nikon Photo Contest International, New York City, 1991.
Center for Art and Design, Toronto, Canada, 1990.
Ryerson Photography Gallery, Toronto, Canada, 1986.
Ryerson Photography Gallery, Toronto, Canada, 1985.
University of Western Ontario, Photography Exhibition, London, Canada, 1979.
Education:
1997, Mary Ellen Mark Workshop, Scholarship, The Maine Workshops, Oaxaca, Mexico.
1984-1986, Ryerson University, Toronto, Canada, Post Graduate Studies, Photographic Arts.
1981-1982, York University, Toronto, Canada, Post Graduate Studies, Fine Arts, Photography and Printmaking.
1978-1981, University of Western Ontario, London, Canada, Honors Bachelor of Fine Arts, Photography and Printmaking.
Awards/Honors:
Magnum Photos portfolio review. Awarded one of twelve coveted spots, 2009.
Finalist Nominee for The Rema Hort Mann Foundation Grant, 2009.
White Columns Artist Registry, 2009.
Finalist Nominee for The Rema Hort Mann Foundation Grant, 2008.
Px3 Photo Competition, Prix de la Photographie, Paris, 2008.
Photowork’04, Barrett Art Center Photography Competition, 2nd Place, 2004.
Folio Magazine Ozzie Awards, Best BW Feature, Gold, 2003.
Kodak ProPass, A Photographer to Watch, 2003.
Photo District News, Best Web Site, Photography Annual 2003.
RX Club Awards, Award of Excellence, VFEND Launch Kit, 2002.
RX Club Awards, Award of Excellence, VFEND Survival Ad, 2002.
RX Club Awards, Award of Excellence, VFEND Doctors Ad, 2002.
MacroMedia Site of the Day, Audi Website, 2001.
International ARC Awards, Gold Award, 1999.
International ARC Awards, Bronze Award, 1999.
Maine Photographic Workshops, Golden Light Awards, 1996.
Creativity ‘95 Awards, 1995.
Studio Magazine Award, 1994.
Art Directors Club Award, 1992.
Kenneth R. Wilson Memorial Award, Gold, 1991.
Nikon Photo Contest International, 1991.
Studio Magazine Award, Silver Award, 1989.
Art Directors Club Award, 1988.
Photography Award, Ryerson University, 1986.
Publications:
The Catalog for Giving, 5th Edition, 2009.
OneLegUpNYC, STF Ediciones / Imagen, 2007.
Mark Morris Dance Group, Celebrating 25 Years, 2005.
The Catalog for Giving, 4th Edition, 2005.
Kodak Professional, ProPass Magazine, A Photographer To Watch, 2003.
Black Book Photography, 2002.
The Catalog for Giving, 3rd Edition, 2001.
The Alternative Pick, 10th Edition, 2001.
Fifty Women Turn Fifty, Meredith Publications, 2001.
Best of the Best, Food and Wine Collection, 2001.
The Alternative Pick, 9th Edition, 2000.
Savoring the Spice Coast of India, HarperCollins, 2000.
The Catalog for Giving, 2nd Edition, 1999.
The Alternative Pick, 8th Edition, 1999.
Alternate View Magazine, Profile on John Bentham, 1997.
PhotoLife Magazine Article, Focus On John Bentham, Jan. Feb. Issue 1991.
The Kawamata Project, Mercer Union, Toronto, Canada, Documentary Photographs of the installation, Toronto, 1989.
Private Collections: Work is represented in numerous private and corporate collections (Select list):
Barrett Art Center, Poughkeepsie, NY.
Alvarez Bravo Photographic Center, Oaxaca, Mexico.
The Kinsey Institute for Research in Sex, Gender and Reproduction.
Danielle and Jeremy Galland, New York City.
Philip Glass, Composer, New York City.
Amy Gross, Editor, The Oprah Magazine, New York City.
Janet Hanson, 85 Broads, New York City.
Lori Hawkins, Eastman Kodak Company, New York City.
Gregory Hazelden, Savannah, GA.
Nancy Jeffries, M+ Management, New York City.
Yun-Fei Ji, Artist, New York City.
Jay Leno, Television Personality, Los Angeles, CA.
Estate of Frank McCourt, Author, New York City.
Joe Miller, Bank of America, New York City.
Dr. Karim Nader, Montreal, Canada.
Richard Rabinowitz, Rainmaker Marketing, New York City.
Justine Stamen, Founder, The Teak Fellowship, New York City.
Susan Swan, Author, Toronto, Canada.
Uma Thurman, Actor, New York City.
Tibet House, New York City.
Margo Timmins, The Cowboy Junkies, Toronto, Canada.
Employment and Teaching Experience:
2010 Lehman College, Photography Adjunct Professor.
2009 Leave Out Violence, Photography Program, Guest Lecturer. Teaching photojournalism to high school students.
2009 Guest Lecturer, Cold Spring Harbor School District, Cultural Arts Program.
2009 Host of monthly photography webinar series on LivinginHD.com.
2009 Lehman College, Photography Adjunct Professor.
2009 Panasonic Digital Photo Academy, Photography Workshop Instructor, Nationwide teaching network of professional photographers.
2008 Panasonic Digital Photo Academy, Photography Workshop Instructor, Nationwide teaching network of professional photographers.
2008 Leave Out Violence, Photography Program, Guest Lecturer. Teaching photojournalism to high school students.
2008 Lehman College, Photography Adjunct Professor.
2008 Lehman College, Guest Lecturer, Artist Studio Program.
2008 Leave Out Violence, Photography Program, Guest Lecturer, Teaching photojournalism to high school students.
2007 Panasonic Digital Photo Academy, Photography Workshop Instructor, Nationwide teaching network of professional photographers.
2007 Leave Out Violence, Photography Program, Guest Lecturer, Teaching photojournalism to high school students.
2007 Drew University, New York Seminar On Contemporary Art, Guest Lecturer.
2006 Leave Out Violence, Photography Program, Guest Lecturer, Teaching photojournalism to high school students.
2005 Leave Out Violence, Photography Program, Guest Lecturer, Teaching photojournalism to high school students.
1999 to Present, Urban Mozaik Magazine, Staff Photographer.
2003 Home of the Free, Washington Mutual Mentor, Teaching photojournalism to 7-8th grade with Eddie Adams and David Hume Kennerly.
2001 Junior League of New York, Teaching photography to High School Students.
1990 to Present, Freelance Photographer for numerous clients/publications.
1986 to 1989, Freelance photographic assistant to numerous photographers.
1985 Baycrest Hospital, AV Technician, AV Department, Toronto, Canada.
1981 to 1982, Printmaking Studio, Technical Assistant, York University, Fine Arts Department, Toronto, Canada.
Magazine and Bee in Window, Nothing Series, Digital Color Photograph, 2010
Sunburned Tourist, Battery Park, Nothing Series, Digital Color Photograph, 2009
Ice Cream Truck, Brooklyn, Nothing Series, Digital Color Photograph, 2009
Penguin Exclosure, Central Park Zoo, Nothing Series, Digital Color Photograph, 2009
Amorous Couple in Taxi, Nothing Series, Digital Color Photograph, 2010
Long Island Rail Road, Nothing Series, Digital Color Photograph, 2010
Halloween Window Display, Nothing Series, Digital Color Photograph, 2009
Veronica Varlow Backstage, Burlesque Series, Digital Color Photograph, 2008
World Famous Bob, Burlesque Series, Digital Color Photograph, 2008
Tigger! Backstage, Burlesque Series, Digital Color Photograph, 2008
Pinkie Special Costume Change, Burlesque Series, Digital Color Photograph, 2008
Veronica Varlow at Rehearsal, Burlesque Series, Digital Color Photograph, 2008
Veronica Varlow Performing, Burlesque Series, Digital Color Photograph, 2008
Gusty Winds Applying Make-Up, Drag Queen Series, Digital Color Photograph, 40x60 inches, 2007
Epiphany in Full Make-Up, Drag Queen Series, Digital Color Photograph, 40x60 inches, 2007
Epiphany’s Sequin Box, Drag Queen Series, Digital Color Photograph, 40x60 inches, 2007
Epiphany’s Lucite Heels, Drag Queen Series, Digital Color Photograph, 40x60 inches, 2007
Paradise City and BKLN, Drag Queen Series, Digital Color Photograph, 40x60 inches, 2007
Doll Chandelier Detail, Drag Queen Series, Digital Color Photograph, 40x60 inches, 2007
Gusty Winds Lips, Drag Queen Series, Digital Color Photograph, 40x60 inches, 2007