eve mosher Work | Artist Statement & CV | Return to Artist List
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Artist Statement
I create public art projects which invite participation, interaction and collaboration. With the works I seed to reach and and embrace a broad audience - connecting people from diverse backgrounds with each other and their urban environment. I engage communities in designing, creating and enacting works that involve surprise, exploration and simple yet powerful statements. I am interested in creating projects which embrace solutions and engage participants and viewers in education through play or experience. The projects provide tools for expanding understanding of local and global issues as well as engaging in creative problem solving.
Both my background as an artist and as a student of architecture continue to inform my work. I try to think creatively about the use of space, both public and private, and how that space might be used to connect people, places and things. My training taught me to look at what is there and what is in between (the void), and how each of those types of spaces can be used to influence movement, emotions and actions. The artist in me seeks visually and conceptually interesting methods of achieving environmental and social action. I continue to esteem the aesthetics of a work while considering the simplest means to an end.
In 2007 I created the work, HighWaterLine, a public artwork on the New York city waterfront that created an immediate visual and local understanding of the affects of climate change. I marked the 10-feet above sea level line by drawing a blue chalk line and installing illuminated beacons in parks. The line marked the extent of increased flooding brought on by stronger and more frequent storms as a result of climate change. I walked, chalked and marked almost 70 miles of coastline. As I was out in the public creating the work, I had a chance to engage in real one-on-one conversations about climate change and its potential impacts. I am now working with communities around the world to create a youth workshop which allows participants to reenact the project, while learning about local climate change issues, topography, mapping, public speaking, documentation and storytelling.
More recently, I completed, Seeding the City, a two year project which introduced four square feet of green roof to rooftops and communities across New York City. Through a word of mouth and referral system, people asked for and received free green roof, a flag denoting participation in the community and a recipe for continuing to add to their green roof over time. As part of the project I also offered workshops to communities for building their own green roof and at the New Museum Festival of Ideas for a New City, I engaged individuals in the act of preparing green roof modules and taking them home. This project was about engaging the diverse community in an act of remediation on a grand scale and sought to plant seeds across the city for greater growth of a green community.
Paths of Desire was a project created in 2009 in collaboration with the Drawing Center and River to River as part of the Big Draw festivities. It was an interactive public experience in which participants were provided with the tools to trace their movements as they explored Lower Manhattan and the past and present geography of the island as it has been shaped by the influence of water. Participants were given a recycled small water bottle which contained blue pigment and a map of historic Lower Manhattan so that they may discover the no longer extant geographic or cultural markers. As the participants go through their day, their pigment bottles will allow a flow of pigment to drop to the ground tracing their path. Over time the city became a canvas, criss-crossed by blue droplets marking the many wanderings and convergences which occured throughout the day.
I am currently working on a collaboration with the organization 350.org. We are expanding a small project I created in 2008, Insert ___ Here. This fall we are working with organizations around New York City to do large scale (10 foot - 60 foot) banners and paintings of an iconic yellow arrow with text like “Insert cool roof Here,” “Insert green wall Here.” In coordination with that, other local organizations will take smaller arrows and (similar to the original project) install them in communities across the city. Beyond the initial September launch, 350.org will be collaborating with organizations around the world to place both large and small Insert ____ Here arrows in their communities. The project is searching for optimism in the face of climate change by allowing communities to highlight projects that are in process which will green their cities. Participants are also encouraged to re-imagine potential projects for their communities.
Finally, the project, (Intra)structure was a collaboration with jewelry maker, Renata Mann. Her fiber-based work is on a personal scale; my vegetative-based work is on an urban scale. We were interested in bridging those two points. We created (Intra)structure, a vascular and modular growing system for epiphytes and climbing plants. The vascular aspect of the project mimics both the infrastructure of the city and the internal body systems. The hemp based pieces are connected by strong magnets and can live in an apartment, balcony, or on a body. (Intra)structure connects the body with the built and natural environment.
Across all of my work I seek to create a deeper more meaningful connection with our urban landscape. I also want to work in a way that is simple and easy to relate to by audiences from various backgrounds and interests. I am also interested in providing both experience and tools which allow participants to continue to grow projects or share information and experience with their own community. I hope to create an emotional connection which provides long term impact and investment.
I create public art projects which invite participation, interaction and collaboration. With the works I seed to reach and and embrace a broad audience - connecting people from diverse backgrounds with each other and their urban environment. I engage communities in designing, creating and enacting works that involve surprise, exploration and simple yet powerful statements. I am interested in creating projects which embrace solutions and engage participants and viewers in education through play or experience. The projects provide tools for expanding understanding of local and global issues as well as engaging in creative problem solving.
Both my background as an artist and as a student of architecture continue to inform my work. I try to think creatively about the use of space, both public and private, and how that space might be used to connect people, places and things. My training taught me to look at what is there and what is in between (the void), and how each of those types of spaces can be used to influence movement, emotions and actions. The artist in me seeks visually and conceptually interesting methods of achieving environmental and social action. I continue to esteem the aesthetics of a work while considering the simplest means to an end.
In 2007 I created the work, HighWaterLine, a public artwork on the New York city waterfront that created an immediate visual and local understanding of the affects of climate change. I marked the 10-feet above sea level line by drawing a blue chalk line and installing illuminated beacons in parks. The line marked the extent of increased flooding brought on by stronger and more frequent storms as a result of climate change. I walked, chalked and marked almost 70 miles of coastline. As I was out in the public creating the work, I had a chance to engage in real one-on-one conversations about climate change and its potential impacts. I am now working with communities around the world to create a youth workshop which allows participants to reenact the project, while learning about local climate change issues, topography, mapping, public speaking, documentation and storytelling.
More recently, I completed, Seeding the City, a two year project which introduced four square feet of green roof to rooftops and communities across New York City. Through a word of mouth and referral system, people asked for and received free green roof, a flag denoting participation in the community and a recipe for continuing to add to their green roof over time. As part of the project I also offered workshops to communities for building their own green roof and at the New Museum Festival of Ideas for a New City, I engaged individuals in the act of preparing green roof modules and taking them home. This project was about engaging the diverse community in an act of remediation on a grand scale and sought to plant seeds across the city for greater growth of a green community.
Paths of Desire was a project created in 2009 in collaboration with the Drawing Center and River to River as part of the Big Draw festivities. It was an interactive public experience in which participants were provided with the tools to trace their movements as they explored Lower Manhattan and the past and present geography of the island as it has been shaped by the influence of water. Participants were given a recycled small water bottle which contained blue pigment and a map of historic Lower Manhattan so that they may discover the no longer extant geographic or cultural markers. As the participants go through their day, their pigment bottles will allow a flow of pigment to drop to the ground tracing their path. Over time the city became a canvas, criss-crossed by blue droplets marking the many wanderings and convergences which occured throughout the day.
I am currently working on a collaboration with the organization 350.org. We are expanding a small project I created in 2008, Insert ___ Here. This fall we are working with organizations around New York City to do large scale (10 foot - 60 foot) banners and paintings of an iconic yellow arrow with text like “Insert cool roof Here,” “Insert green wall Here.” In coordination with that, other local organizations will take smaller arrows and (similar to the original project) install them in communities across the city. Beyond the initial September launch, 350.org will be collaborating with organizations around the world to place both large and small Insert ____ Here arrows in their communities. The project is searching for optimism in the face of climate change by allowing communities to highlight projects that are in process which will green their cities. Participants are also encouraged to re-imagine potential projects for their communities.
Finally, the project, (Intra)structure was a collaboration with jewelry maker, Renata Mann. Her fiber-based work is on a personal scale; my vegetative-based work is on an urban scale. We were interested in bridging those two points. We created (Intra)structure, a vascular and modular growing system for epiphytes and climbing plants. The vascular aspect of the project mimics both the infrastructure of the city and the internal body systems. The hemp based pieces are connected by strong magnets and can live in an apartment, balcony, or on a body. (Intra)structure connects the body with the built and natural environment.
Across all of my work I seek to create a deeper more meaningful connection with our urban landscape. I also want to work in a way that is simple and easy to relate to by audiences from various backgrounds and interests. I am also interested in providing both experience and tools which allow participants to continue to grow projects or share information and experience with their own community. I hope to create an emotional connection which provides long term impact and investment.
CV
...EDUCATION...
2005
-Pratt Institute, Brooklyn, New York: Master in Fine Arts
1991
-Texas A&M University, College Station, Texas: Bachelor's in Environmental Design
...PUBLIC PROJECTS & SOLO EXHIBITIONS...
2011
-Insert ____ Here, NYC
2009-11
-Seeding the City, NYC | Washington, D.C. | Cambridge, MA
2009
-Paths of Desire - The Big Draw, The Drawing Center & River to River Festival, NYC
-Inter-related, NYC Wildflower Week & Union Square Parks Conservancy, NYC
2008
-Insert ____ Here, Brooklyn, NY | The Netherlands | Manhattan, NY
-I See You in Me / The Path of Water in NYC, Highbridge Park, NYC
2007
-HighWaterLine, Brooklyn & Lower Manhattan, New York
2004
-eve s. mosher, Truckee Meadows Community College Gallery, Reno, NV
-After the Wind, Maturango Museum, Ridgecrest, CA,
2003
-re/cognition, The Tahoe Gallery, Sierra Nevada College, Incline Village, NV
-reinvented nature reinvented, Sierra Arts Gallery, Reno, NV,
-The Culture of Sharing, Phantom Galleries, San Jose, CA
...SELECTED GROUP EXHIBITIONS...
2011
-New Museum, NYC, D.I.Y. Festival of Ideas for a New City, StreetFest
-Textile Arts Center, Brooklyn, NY, Fashioning the Environment
2010
-Old Stone House, Brooklyn, NY, D.I.Y. Utopias
-Superfront, Brooklyn, NY, Artists who play well with Architects
-Cambridge Arts Council, Cambridge, MA, Re-mediate/Revision
-Wave Hill, NYC, Remediate/Re-vision
-AE Studios LIC, NYC, Excess and Environment, Sustainability in a World of Consumption
-Art 94124, San Francisco, CA, Engaging BVHP Youth
-Exit Art, NYC, Global/National – The Order of Chaos
2009
-EcoArtSpace Soho, NYC, Down To Earth
-Skybridge Art & Sound Space, NYC Signs of Growth + Mobile Gardens
-The Sargent Johnson Gallery at The African American Art and Culture Complex, San Francisco, CA, The Welcome to the Neighborhood Project
-National College of Art and Desgin/Gallery, Dublin, Ireland, Space is the Place
2008
-Freebird Books, Brooklyn, NY, Field Forms
-Exit Art, NYC, E.P.A. (Environmental Performance Actions)
-Eyebeam, NYC, FeedBack
-Sonoma County Museum, Santa Rosa, CA, EcoCentric
2007
-McGovern Design House, NYC, Excelsior
-Nelson Hancock Gallery, Brooklyn, New York, Topos Brooklyn
2006
-Sunset Magazine Idea House, Palo Alto, CA, Idea House House of Innovation
-Design Within Reach Studio, Palo Alto, CA
2005
-Roshambo Winery, Healdsburg, CA, Transitory Environments
-Paul Whitney Larson Gallery, St. Paul, MN, Responses to Natural Forms
-RPS Collective, Oakland, CA, Conceptual Craft
-Robert A. Peck Gallery, Riverton, WY, Industrial Interchange Organic
2004
-Budget Gallery, San Francisco, CA, The Price is Right, Showcase of Artists
-ECOArts Lake County Sculpture Walk, Middletown, CA
-Gomboc Gallery, Middle Swan, Western Australia, International Mini-Art Exchange
2003
-Viridian Gallery, NYC, Multiple Memorials
-Budget Gallery, San Francisco, CA, The Great Debate
-Mills Building, San Francisco, CA, Selections
-Jersey Galleries, Osterley Park, Middlesex, UK, Reconcilable Differences
...AWARDS, GRANTS & RESIDENCIES...
2010
-Winter Workspace Program, Wave Hill, NY
2009
-Department of Cultural Affairs Regrant, administered by Brooklyn Arts Council
2008
-College of Tactical Culture, Eyebeam, NYC
-City Parks Foundation
2007
-NY Foundation for the Arts, Fiscal Sponsorship
-NY State Arts Council Individual Artist Tier Award, by Brooklyn Arts Council
-Department of Cultural Affairs Regrant, administered by Brooklyn Arts Council
2004
-Vermont Studio Center, Artists Grant Award
2003
-Fine Arts Museums San Francisco Artist in Residence, De Young Art Center and
-Legion of Honor, San Francisco, CA
...SELECTED BIBLIOGRAPHY...
2011
-Schmidt, Ulli, Zeitungsverlag tz München, “Project Zunkunft: So liebenwir,” 26 May, illus.
2010
-Lubowski-Jahn, Alicia, Eco-Chick, “Eve S. Mosher: Eco Art Visualizing Powerful Intentions,” March, illus.
-Hattam, Jennifer, Treehugger, “Miami and Brooklyn Artists Plant a Flag for Nature,” Jan, illus.
2009
-Morgan, James David, Groundswell Blog, “Seeding the City,” Nov, illus.
-Zeiger, Mimi, I.D. Magazine, “Green Scheme: A New York artist harnesses social networking to build roof gardens,” Oct, illus.
-Packard, Lauren, The Harvard Crimson, “NYC Artist Speaks about Eco Project,” Mar, illus.
2008
-Romano, Danato, L'Uomo Vogue, “The Creative Fight vs Global Warming,” July, Aug,illus.
-Stella, Suzanne, NYFA Current, “Art as Intervention, A Roundtable,” illus.
2007
-Silverman, Justin, AM New York, “Outlining the future,” Oct 22, 2007, illus.
-Rothstein, Meryl, GOOD, “Thin Blue Line,” Sept/Oct 2007, illus.
-Siluk-Gregory, Shirley, Green Options, “Artist Takes Climate Change to the Streets,” Sept.
-Gardner, Kasey-Dee, Discovery Channel News, “Environmental Artist Warns of Climate Change,” Aug 15, 2007, video
-Goodman, Andy, Free Range Thinking, “Taking it to the Streets,” Aug, illus.
-Lesnes, Corine, Le Monde, “Une etude sonne l'alarme sur le climat futur du Nord-Est americain,” July 19
-Simmons, Rachel, Circa Art Magazine, “New York Artist Draws the Line for Global Warming,” June
-Kennedy, Randy, New York Times, “The Handwriting on the Road,” June 16, illus.
2006
-Modder, Sabine, Art Moco, “Drought,” Oct 30, illus.
2005
-Lindblom, John, Lake County Record-Bee, “EcoArts blends art and nature,” June 18
2003
-Skorupa, Susan, Reno Gazette-Journal, “Downtown Reno galleries catch on,” Jan, illus.
...LECTURES...
2010
-Conflux Festival, Long Table Discussion, NYC
-Sheila C Johnson Design Center, Parsons The New School for Design, Living Concrete, Carrot City: Creative Action and Everyday Urban Agriculture, NYC
-Transformer, Built to Last? - Truths & Myths of Sustainable Cultural Production, Washington, D.C.
2009
-Creative Time, The Creative Time Summit, Revolutions in Public Practice, NYC
-Conflux Festival, Insert Here Workshop, and College of Tactical Culture Panel, NYC
-Eugene Lang, New School for Social Research, Artist’s Talk, NYC
2008
-New York Foundation for the Arts, The Business of Art, Your Art, Your Money, NYC
-New York Foundation for the Arts, Taking it to the Streets, A Guide to Making Art in the Public, NYC
-Wexner Art Center, Art & Ecology, Columbus, OH
-Ecoartspace / Exit Art, Human / Nature, NYC
2007
-Pratt Institutes Urban Artists & Social Change Speaker Series, Brooklyn, New York
-Conflux Festival, Eyebeam Panel: EcoViz Challenge, Brooklyn, NY
-LAC Salon, NYC
-Social Theory Politics and the Arts, New York Foundation for the Arts The Arts Go Green panel, NYC
-Solar One CitySol Go Ahead and Touch It! panel, NYC
2004
-Maturango Museum, Artist’s Talk, Ridgecrest, CA
2003
-Sierra Nevada College, Artist’s Talk, Incline Village, NV
...TEACHING...
2010-now
-Parsons The New School for Design, Assistant Professor
2008-now
-Creative Capital Foundation, Internet for Artists Workshop Leader
2009
-Artist in Residence, Eugene Lang College at the New School, NYC
2008
-Visiting Artist, Arts & College Preparatory Academy, Columbus, OH
...EDUCATION...
2005
-Pratt Institute, Brooklyn, New York: Master in Fine Arts
1991
-Texas A&M University, College Station, Texas: Bachelor's in Environmental Design
...PUBLIC PROJECTS & SOLO EXHIBITIONS...
2011
-Insert ____ Here, NYC
2009-11
-Seeding the City, NYC | Washington, D.C. | Cambridge, MA
2009
-Paths of Desire - The Big Draw, The Drawing Center & River to River Festival, NYC
-Inter-related, NYC Wildflower Week & Union Square Parks Conservancy, NYC
2008
-Insert ____ Here, Brooklyn, NY | The Netherlands | Manhattan, NY
-I See You in Me / The Path of Water in NYC, Highbridge Park, NYC
2007
-HighWaterLine, Brooklyn & Lower Manhattan, New York
2004
-eve s. mosher, Truckee Meadows Community College Gallery, Reno, NV
-After the Wind, Maturango Museum, Ridgecrest, CA,
2003
-re/cognition, The Tahoe Gallery, Sierra Nevada College, Incline Village, NV
-reinvented nature reinvented, Sierra Arts Gallery, Reno, NV,
-The Culture of Sharing, Phantom Galleries, San Jose, CA
...SELECTED GROUP EXHIBITIONS...
2011
-New Museum, NYC, D.I.Y. Festival of Ideas for a New City, StreetFest
-Textile Arts Center, Brooklyn, NY, Fashioning the Environment
2010
-Old Stone House, Brooklyn, NY, D.I.Y. Utopias
-Superfront, Brooklyn, NY, Artists who play well with Architects
-Cambridge Arts Council, Cambridge, MA, Re-mediate/Revision
-Wave Hill, NYC, Remediate/Re-vision
-AE Studios LIC, NYC, Excess and Environment, Sustainability in a World of Consumption
-Art 94124, San Francisco, CA, Engaging BVHP Youth
-Exit Art, NYC, Global/National – The Order of Chaos
2009
-EcoArtSpace Soho, NYC, Down To Earth
-Skybridge Art & Sound Space, NYC Signs of Growth + Mobile Gardens
-The Sargent Johnson Gallery at The African American Art and Culture Complex, San Francisco, CA, The Welcome to the Neighborhood Project
-National College of Art and Desgin/Gallery, Dublin, Ireland, Space is the Place
2008
-Freebird Books, Brooklyn, NY, Field Forms
-Exit Art, NYC, E.P.A. (Environmental Performance Actions)
-Eyebeam, NYC, FeedBack
-Sonoma County Museum, Santa Rosa, CA, EcoCentric
2007
-McGovern Design House, NYC, Excelsior
-Nelson Hancock Gallery, Brooklyn, New York, Topos Brooklyn
2006
-Sunset Magazine Idea House, Palo Alto, CA, Idea House House of Innovation
-Design Within Reach Studio, Palo Alto, CA
2005
-Roshambo Winery, Healdsburg, CA, Transitory Environments
-Paul Whitney Larson Gallery, St. Paul, MN, Responses to Natural Forms
-RPS Collective, Oakland, CA, Conceptual Craft
-Robert A. Peck Gallery, Riverton, WY, Industrial Interchange Organic
2004
-Budget Gallery, San Francisco, CA, The Price is Right, Showcase of Artists
-ECOArts Lake County Sculpture Walk, Middletown, CA
-Gomboc Gallery, Middle Swan, Western Australia, International Mini-Art Exchange
2003
-Viridian Gallery, NYC, Multiple Memorials
-Budget Gallery, San Francisco, CA, The Great Debate
-Mills Building, San Francisco, CA, Selections
-Jersey Galleries, Osterley Park, Middlesex, UK, Reconcilable Differences
...AWARDS, GRANTS & RESIDENCIES...
2010
-Winter Workspace Program, Wave Hill, NY
2009
-Department of Cultural Affairs Regrant, administered by Brooklyn Arts Council
2008
-College of Tactical Culture, Eyebeam, NYC
-City Parks Foundation
2007
-NY Foundation for the Arts, Fiscal Sponsorship
-NY State Arts Council Individual Artist Tier Award, by Brooklyn Arts Council
-Department of Cultural Affairs Regrant, administered by Brooklyn Arts Council
2004
-Vermont Studio Center, Artists Grant Award
2003
-Fine Arts Museums San Francisco Artist in Residence, De Young Art Center and
-Legion of Honor, San Francisco, CA
...SELECTED BIBLIOGRAPHY...
2011
-Schmidt, Ulli, Zeitungsverlag tz München, “Project Zunkunft: So liebenwir,” 26 May, illus.
2010
-Lubowski-Jahn, Alicia, Eco-Chick, “Eve S. Mosher: Eco Art Visualizing Powerful Intentions,” March, illus.
-Hattam, Jennifer, Treehugger, “Miami and Brooklyn Artists Plant a Flag for Nature,” Jan, illus.
2009
-Morgan, James David, Groundswell Blog, “Seeding the City,” Nov, illus.
-Zeiger, Mimi, I.D. Magazine, “Green Scheme: A New York artist harnesses social networking to build roof gardens,” Oct, illus.
-Packard, Lauren, The Harvard Crimson, “NYC Artist Speaks about Eco Project,” Mar, illus.
2008
-Romano, Danato, L'Uomo Vogue, “The Creative Fight vs Global Warming,” July, Aug,illus.
-Stella, Suzanne, NYFA Current, “Art as Intervention, A Roundtable,” illus.
2007
-Silverman, Justin, AM New York, “Outlining the future,” Oct 22, 2007, illus.
-Rothstein, Meryl, GOOD, “Thin Blue Line,” Sept/Oct 2007, illus.
-Siluk-Gregory, Shirley, Green Options, “Artist Takes Climate Change to the Streets,” Sept.
-Gardner, Kasey-Dee, Discovery Channel News, “Environmental Artist Warns of Climate Change,” Aug 15, 2007, video
-Goodman, Andy, Free Range Thinking, “Taking it to the Streets,” Aug, illus.
-Lesnes, Corine, Le Monde, “Une etude sonne l'alarme sur le climat futur du Nord-Est americain,” July 19
-Simmons, Rachel, Circa Art Magazine, “New York Artist Draws the Line for Global Warming,” June
-Kennedy, Randy, New York Times, “The Handwriting on the Road,” June 16, illus.
2006
-Modder, Sabine, Art Moco, “Drought,” Oct 30, illus.
2005
-Lindblom, John, Lake County Record-Bee, “EcoArts blends art and nature,” June 18
2003
-Skorupa, Susan, Reno Gazette-Journal, “Downtown Reno galleries catch on,” Jan, illus.
...LECTURES...
2010
-Conflux Festival, Long Table Discussion, NYC
-Sheila C Johnson Design Center, Parsons The New School for Design, Living Concrete, Carrot City: Creative Action and Everyday Urban Agriculture, NYC
-Transformer, Built to Last? - Truths & Myths of Sustainable Cultural Production, Washington, D.C.
2009
-Creative Time, The Creative Time Summit, Revolutions in Public Practice, NYC
-Conflux Festival, Insert Here Workshop, and College of Tactical Culture Panel, NYC
-Eugene Lang, New School for Social Research, Artist’s Talk, NYC
2008
-New York Foundation for the Arts, The Business of Art, Your Art, Your Money, NYC
-New York Foundation for the Arts, Taking it to the Streets, A Guide to Making Art in the Public, NYC
-Wexner Art Center, Art & Ecology, Columbus, OH
-Ecoartspace / Exit Art, Human / Nature, NYC
2007
-Pratt Institutes Urban Artists & Social Change Speaker Series, Brooklyn, New York
-Conflux Festival, Eyebeam Panel: EcoViz Challenge, Brooklyn, NY
-LAC Salon, NYC
-Social Theory Politics and the Arts, New York Foundation for the Arts The Arts Go Green panel, NYC
-Solar One CitySol Go Ahead and Touch It! panel, NYC
2004
-Maturango Museum, Artist’s Talk, Ridgecrest, CA
2003
-Sierra Nevada College, Artist’s Talk, Incline Village, NV
...TEACHING...
2010-now
-Parsons The New School for Design, Assistant Professor
2008-now
-Creative Capital Foundation, Internet for Artists Workshop Leader
2009
-Artist in Residence, Eugene Lang College at the New School, NYC
2008
-Visiting Artist, Arts & College Preparatory Academy, Columbus, OH
HighWaterLine, 2007. Blue chalk line drawn at 10' above sea level line to draw attention to increased flooding form climate change in New York City. 70 miles of chalk line and action packets.
HighWaterLine, 2007. Blue chalk line drawn at 10' above sea level line to draw attention to increased flooding form climate change in New York City. 70 miles of chalk line and action packets.
HighWaterLine, 2007. Blue chalk line drawn at 10' above sea level line to draw attention to increased flooding form climate change in New York City. 70 miles of chalk line and action packets.
HighWaterLine, 2007. Blue chalk line drawn at 10' above sea level line to draw attention to increased flooding form climate change in New York City. 70 miles of chalk line and action packets.
HighWaterLine, 2007. Blue chalk line drawn at 10' above sea level line to draw attention to increased flooding form climate change in New York City. Also included illuminated beacons installed in six city parks.
Seeding the City. Fifty individual small green roof modules, each four square feet, and a project flag. Engaged a diverse audience in seeding ideas of remediation across New York City.
Seeding the City. Fifty individual small green roof modules, each four square feet, and a project flag. Engaged a diverse audience in seeding ideas of remediation across New York City.
Seeding the City. Fifty individual small green roof modules, each four square feet, and a project flag. Engaged a diverse audience in seeding ideas of remediation across New York City.
Seeding the City. Fifty individual small green roof modules, each four square feet, and a project flag. Engaged a diverse audience in seeding ideas of remediation across New York City.
Seeding the City. Fifty individual small green roof modules, each four square feet, and a project flag. Engaged a diverse audience in seeding ideas of remediation across New York City.
Paths of Desire, 300 recycled water bottles filled with blue pigment and water. Distributed at The Big Draw and used to turn Lower Manhattan into a canvas, pigment droplets traced the wanderings of participants as they explored the past and present of the island as shaped by water.
Paths of Desire, 300 recycled water bottles filled with blue pigment and water. Distributed at The Big Draw and used to turn Lower Manhattan into a canvas, pigment droplets traced the wanderings of participants as they explored the past and present of the island as shaped by water.
Paths of Desire, 300 recycled water bottles filled with blue pigment and water. Distributed at The Big Draw and used to turn Lower Manhattan into a canvas, pigment droplets traced the wanderings of participants as they explored the past and present of the island as shaped by water.
Paths of Desire, 300 recycled water bottles filled with blue pigment and water. Distributed at The Big Draw and used to turn Lower Manhattan into a canvas, pigment droplets traced the wanderings of participants as they explored the past and present of the island as shaped by water.
Insert ____ Here, 5 building sized banners of an iconic yellow arrow around New York City and hundreds or thousands of small community arrows of stencil or printouts around the world. Opportunity for re-imagining ones environment as green, sustainable and connected. A collaboration with 350.org.
Insert ____ Here, 5 building sized banners of an iconic yellow arrow around New York City and hundreds or thousands of small community arrows of stencil or printouts around the world. Opportunity for re-imagining ones environment as green, sustainable and connected. A collaboration with 350.org.
Insert ____ Here, 5 building sized banners of an iconic yellow arrow around New York City and hundreds or thousands of small community arrows of stencil or printouts around the world. Opportunity for re-imagining ones environment as green, sustainable and connected. A collaboration with 350.org.
Insert ____ Here, 5 building sized banners of an iconic yellow arrow around New York City and hundreds or thousands of small community arrows of stencil or printouts around the world. Opportunity for re-imagining ones environment as green, sustainable and connected. A collaboration with 350.org.
(Intra)structure. Architectural installations and personal scale jewelry made of hemp fiber and spanish moss. The vascular system mimics many of our city’s infrastructure and creates a modular plant system which can connect buildings, grow on a balcony or wall or be worn on the body. A collaboration with jewelry maker Renata Mann.
(Intra)structure. Architectural installations and personal scale jewelry made of hemp fiber and spanish moss. The vascular system mimics many of our city’s infrastructure and creates a modular plant system which can connect buildings, grow on a balcony or wall or be worn on the body. A collaboration with jewelry maker Renata Mann.